Let me tell you about an amazing little foreign language film I watched last night: "Everlasting Moments". It is in the genre of the classical European period dramas. This one is about a woman, Maria, at the turn of the 20th century struggling with a rough, brutish husband and her ever-growing brood of children. It is really about the awakening of her spirit through the gift of an artistic eye that she tries to express with photography. You see her have to stifle her gift, as there is no room in her world for creative expression. She even has to hide her camera for fear her husband will confiscate or destroy it.
How times have changed. How privileged we are to have so many artistic tools and resources at our fingertips and the clear assumption we have every right to use them. I kept thinking how much I take my ability to express on an artistic level for-granted. It certainly illustrates the evolution of women's expressive rights and reproductive rights.
This film is raw yet elegant, full of the restraint of the period yet profoundly intimate. While it has English subtitles, I was so caught up in the imagery and plot that I barely noticed. Do keep an eye out for it - it is well worth the investment in time to watch.
Below are descriptions and reviews from Wikipedia and Rottentomatos.com, in that order:
Everlasting Moments (Swedish: Maria Larssons eviga ögonblick) is a 2008 Swedish drama directed by Jan Troell, starring Maria Heiskanen, Mikael Persbrandt and Jesper Christensen. It is based on the true story of Maria Larsson, a Swedish working class woman in the early 1900s, who wins a camera in a lottery and goes on to become a photographer.The film won the Guldbagge Award for Best Film and was nominated for Best Foreign Language Film at the 66th Golden Globe Awards. It also made the January shortlist for Best Foreign Language Film at the 81st Academy Awards, but wasn't selected as one of the final nominees.
Synopsis (from Rottentomatos.com):
"In this breathtaking film from renowned Swedish director Jan Troell, a woman experiences an artistic awakening after being introduced to photography. Based on real-life events, the story opens at the start of the 20th century and centers around Finnish housewife Maria Larrson (Maria Heiskanen). Maria spends her days struggling to care for her large brood of children and trying to manage her abusive, alcoholic husband, Sigge (Mikael Persbrandt). Sigge is a dockworker, and when he isn’t dabbling in Socialist politics, he’s parading around town with various women, then returning home in a drunken stupor to beat Maria and the children.
"In this breathtaking film from renowned Swedish director Jan Troell, a woman experiences an artistic awakening after being introduced to photography. Based on real-life events, the story opens at the start of the 20th century and centers around Finnish housewife Maria Larrson (Maria Heiskanen). Maria spends her days struggling to care for her large brood of children and trying to manage her abusive, alcoholic husband, Sigge (Mikael Persbrandt). Sigge is a dockworker, and when he isn’t dabbling in Socialist politics, he’s parading around town with various women, then returning home in a drunken stupor to beat Maria and the children.
Maria suffers many harsh indignities, but her world is changed forever the day she tries to pawn an old camera she won in a lottery. The owner of the camera shop is a kindly gentleman named Sebastian (Jesper Christensen), and instead of buying the camera, he insists Maria try it first. Maria takes his advice, and the effect is instantaneous: she is hooked on the power of the pictures. She begins to take portraits of the townspeople and the harsh world around her, and her newfound talent suddenly infuses her with confidence and awakens an inner passion.
Sigge rails against this bold new change in her and becomes more abusive, threatening to kill her and destroy her camera. But Maria defies him and continues to take pictures, eventually developing an intimate friendship with Sebastian. Troell does a magnificent job re-creating the time period, and while many of the film’s images are rather harsh and painful to take in, they are also fascinating and beautiful in their realism. Persbrandt delivers an excellent performance, and Heiskanen is phenomenal as the unstoppable Maria. Despite the bleak world the characters inhabit, the film is ultimately a moving affirmation of life’s beauty and the strength of the human spirit."






































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